The Museum Director
The Curator
The leader of a struggling history museum who believes acquiring the Blackwood collection could save both the institution and their career.
Connection to Dr. Vale
The Museum Director approached Dr. Vale hoping she would donate Professor Blackwood’s restored collection to the museum.
Dr. Vale refused, insisting that the carnival belonged in Murder Creek.
Connection to Professor Blackwood’s Traveling Show
The Museum Director views the collection as a historically important acquisition capable of attracting visitors, donors, and national attention.
Possessing the Blackwood artifacts would transform the museum and establish its director as the person who preserved one of the South’s great forgotten traveling shows.
Possible motive
Ownership of the Blackwood collection
Without the collection, the museum may continue to lose visitors, financial support, and public confidence.
Known disagreement
The Museum Director and Dr. Vale argued over where the restored collection belonged.
Dr. Vale wanted it to remain in Murder Creek. The Director believed the museum could preserve it, protect it, and introduce it to a much larger audience.
“What they claim”
“The collection deserved professional preservation. Dr. Vale mistook my concern for ambition, but acquiring the carnival would have protected its history.”
A redacted suspicious detail
INVESTIGATIVE NOTE: The museum’s board had begun asking questions about declining attendance, missing donors, and the Director’s leadership.
[INTERNAL BOARD COMMUNICATIONS REDACTED]